During the near accident that begins the film, between the big tremors that everyone feels, there is a slight vibration that only Jack Lemmon's character notices. That vibration runs as an undercurrent through the rest of the film, with tension ever mounting because of it, and what it may mean. This is a terrifying film, more because of what it implies than what it shows. This could happen (and has.) That's just scary.
Modern sensibilities want this to be a disaster flick, which it is not, and I found myself, thanks to the ADD so many current films induce, drifting slightly. But every time that happened, it wouldn't last long, because some truly riveting moment would grab me and pull me back in. There are a lot of riveting moments here, half the movie leaves you perched precariously on the edge of your seat. One great scene cuts constantly from the loud, ratcheting sounds in the body of the plant, to the near-silence of the control room, and the intensity of Jack Lemmon's face. The effect is nerve-rattling.
And speaking of Jack Lemmon, WOW! Many of the great moments come from him, and his virtuoso performance. He deserved that Oscar nod, and I think he deserved to win. Jane Fonda is of course also fantastic in her nominated role. If Lemmon is the heart of the movie (and he is), then she is the brain that makes the whole thing run. She asks the questions we need answers to (mention must be made of the great screenwriting here, and the inspired idea to have the main character be a reporter). Plus she has a pet turtle, which is totally random and awesome.
Some, admittedly, may not enjoy a movie that relies so heavily on talking and the intensity of it's performers. Some may well be bored throughout. But I saw deft direction, excellent screenwriting, powerful performances, and yes, true fear. For me, this is one of the best thrillers ever made.
No comments:
Post a Comment